Skippy Dies Read online

  Skippy Dies

  ALSO BY PAUL MURRAY

  An Evening of Long Goodbyes

  Skippy Dies

  PAUL MURRAY

  Table of Contents

  Title

  Copyright

  Dedication

  Prologue

  I: Hopeland

  II: Heartland

  III: Ghostland

  IV: Afterland

  Acknowledgements

  Farrar, Straus and Giroux

  18 West 18th Street, New York 10011

  Copyright © 2010 by Paul Murray

  All rights reserved

  Printed in the United States of America

  Originally published in 2010 by Hamish Hamilton, an imprint of Penguin Books,

  Great Britain

  Published in the United States by Farrar, Straus and Giroux

  First American edition, 2010

  Published simultaneously in a hardcover edition and a three-volume slipcased

  paperback edition

  Grateful acknowledgment is made for permission to reprint the following previously published material: Excerpts from Goodbye to All That by Robert Graves, reprinted by permission of Carcanet Press Ltd. “On Portents” from Complete Poems by Robert Graves, reprinted by permission of Carcanet Press Ltd. “L’Amoureuse” from Capitale de la douleur by Paul Éluard, copyright © Gallimard, reprinted by permission.

  Library of Congress Control Number: 2010926173

  Hardcover ISBN: 978-0-86547-943-2

  Paperback Boxed Set ISBN: 978-0-86547-948-7

  www.fsgbooks.com

  1 3 5 7 9 10 8 6 4 2

  For Seán

  Skippy Dies

  Skippy and Ruprecht are having a doughnut-eating race one evening when Skippy turns purple and falls off his chair. It is a Friday in November, and Ed’s is only half full; if Skippy makes a noise as he topples to the floor, no one pays any attention. Nor is Ruprecht, at first, overly concerned; rather he is pleased, because it means that he, Ruprecht, has won the race, his sixteenth in a row, bringing him one step closer to the all-time record held by Guido ‘The Gland’ LaManche, Seabrook College class of ’93.

  Apart from being a genius, which he is, Ruprecht does not have all that much going for him. A hamster-cheeked boy with a chronic weight problem, he is bad at sports and most other facets of life not involving complicated mathematical equations; that is why he savours his doughnut-eating victories so, and why, even though Skippy has been on the floor for almost a minute now, Ruprecht is still sitting there in his chair, chuckling to himself and saying, exultantly, under his breath, ‘Yes, yes’ – until the table jolts and his Coke goes flying, and he realizes that something is wrong.

  On the chequered tiles beneath the table Skippy is writhing in silence. ‘What’s the matter?’ Ruprecht says, but gets no answer. Skippy’s eyes are bulging and a strange, sepulchral wheezing issues from his mouth; Ruprecht loosens his tie and unbuttons his collar, but that doesn’t seem to help, in fact the breathing, the writhing, the pop-eyed stare only get worse, and Ruprecht feels a prickling climb up the back of his neck. ‘What’s wrong?’ he repeats, raising his voice, as if Skippy were on the other side of a busy motorway. Everyone is looking now: the long table of Seabrook fourth-years and their girlfriends, the two St Brigid’s girls, one fat, one thin, both still in their uniforms, the trio of shelfstackers from the shopping mall up the road – they turn and watch as Skippy gasps and dry-heaves, for all the world as if he’s drowning, though how could he be drowning here, Ruprecht thinks, indoors, with the sea way over on the other side of the park? It doesn’t make any sense, and it’s all happening too quickly, without giving him time to work out what to do –

  At that moment a door opens and a young Asian man in an Ed’s shirt and a badge on which is written, in mock-cursive, Hi I’m, and then, in an almost unreadable scrawl, Zhang Xíelín, emerges behind the counter, carrying a tray of change. Confronted by the crowd, which has risen to its feet to get a better view, he halts; then he spies the body on the floor and, dropping the tray, vaults over the counter, pushes Ruprecht aside and prises open Skippy’s mouth. He peers in, but it’s too dark to see anything, so hoisting him to his feet, he fastens his arms around Skippy’s midriff and begins to yank at his stomach.

  Ruprecht’s brain, meanwhile, has finally sparked into life: he’s scrabbling through the doughnuts on the floor, thinking that if he can find out which doughnut Skippy is choking on, it might provide some sort of a key to the situation. As he casts about, however, he makes a startling discovery. Of the six doughnuts that were in Skippy’s box at the start of the race, six still remain, none with so much as a bite gone. His mind churns. He hadn’t been observing Skippy during the race – Ruprecht when eating competitively tends to enter a sort of a zone in which the rest of the world melts away into nothingness, this in fact is the secret of his record-nearing sixteen victories – but he’d assumed Skippy was eating too; after all, why would you enter a doughnut-eating race and not eat any doughnuts? And, more important, if he hasn’t eaten anything, how can he be –

  ‘Wait!’ he exclaims, jumping up and waving his hands at Zhang. ‘Wait!’ Zhang Xielin looks at him, panting, Skippy lolling over his forearms like a sack of wheat. ‘He hasn’t eaten anything,’ Ruprecht says. ‘He isn’t choking.’ A rustle of intrigue passes through the body of spectators. Zhang Xielin glowers mistrustfully, but allows Ruprecht to extricate Skippy, who is surprisingly heavy, from his arms and lay him back down on the ground.

  This entire sequence of events, from Skippy’s initial fall to the present moment, has taken perhaps three minutes, during which time his purple colour has faded to an eerily delicate eggshell blue, and his wheezing breath receded to a whisper; his contortions too have ebbed towards stillness, and his eyes, though open, have taken on an oddly vacant air, so that even looking right at him Ruprecht’s not a hundred per cent sure he’s even actually conscious, and it seems all of a sudden as if around his own lungs Ruprecht can feel a pair of cold hands clutching as he realizes what’s about to happen, though at the same time he can’t quite believe it – could something like that really happen? Could it really happen here, in Ed’s Doughnut House? Ed’s, with its authentic jukebox and its fake leather and its black-and-white photographs of America; Ed’s, with its fluorescent lights and its tiny plastic forks and its weird sterile air that should smell of doughnuts but doesn’t; Ed’s, where they come every day, where nothing ever happens, where nothing is supposed to happen, that’s the whole point of it –

  One of the girls in crinkly pants lets out a shriek. ‘Look!’ Jigging up and down on her tiptoes, she stabs at the air with her finger, and Ruprecht snaps out of the stupor he’s fallen into and follows the line downwards to see that Skippy has raised his left hand. Relief courses through his body.

  ‘That’s it!’ he cries.

  The hand flexes, as if it has just woken from a deep sleep, and Skippy simultaneously expresses a long, rasping sigh.

  ‘That’s it!’ Ruprecht says again, without knowing quite what he means. ‘You can do it!’

  Skippy makes a gurgling noise and blinks deliberately up at Ruprecht.

  ‘The ambulance is going to be here in a second,’ Ruprecht tells him. ‘Everything’s going to be fine.’

  Gurgle, gurgle, goes Skippy.

  ‘Just relax,’ Ruprecht says.

  But Skippy doesn’t. Instead he keeps gurgling, like he’s trying to tell Ruprecht something. He rolls his eyes feverishly, he stares up at the ceiling; then, as if inspired, his hand shoots out to search the tiled floor. It pads blindly amid the spilled Coke and melting ice cubes until it finds one of the fallen doughnuts; this it seizes on, like a clumsy spider grappling with its prey, crushing it between its fingers tight
er and tighter.

  ‘Just take it easy,’ Ruprecht repeats, glancing over his shoulder at the window for a sign of the ambulance.

  But Skippy keeps squeezing the doughnut till it has oozed raspberry syrup all over his hand; then, lowering a glistening red fingertip to the floor, he makes a line, and then another, perpendicular to the first.

  T

  ‘He’s writing,’ someone whispers.

  He’s writing. Painfully slowly – sweat dripping down his forehead, breath rattling like a trapped marble in his chest – Skippy traces out syrupy lines one by one onto the chequered floor. E, L – the lips of the onlookers move soundlessly as each character is completed; and while the traffic continues to roar by outside, a strange kind of silence, almost a serenity, falls over the Doughnut House, as if in here time had temporarily, so to speak, stopped moving forward; the moment, rather than ceding to the next, becoming elastic, attenuated, expanding to contain them, to give them a chance to prepare for what’s coming –

  TELL LORI

  The overweight St Brigid’s girl in the booth turns pale and whispers something in the ear of her companion. Skippy blinks up at Ruprecht imploringly. Clearing his throat, adjusting his glasses, Ruprecht examines the message crystallizing on the tiles.

  ‘Tell Lori?’ he says.

  Skippy rolls his eyes and croaks.

  ‘Tell her what?’

  Skippy gasps.

  ‘I don’t know!’ Ruprecht gabbles, ‘I don’t know, I’m sorry!’ He bends down to squint again at the mysterious pink letters.

  ‘Tell her he loves her!’ the overweight or possibly even pregnant girl in the St Brigid’s uniform exclaims. ‘Tell Lori he loves her! Oh my God!’

  ‘Tell Lori you love her?’ Ruprecht repeats dubiously. ‘Is that it?’

  Skippy exhales – he smiles. Then he lies back on the tiles; and Ruprecht sees quite clearly the rise and fall of his breast gently come to a stop.

  ‘Hey!’ Ruprecht grabs him and shakes him by the shoulders. ‘Hey, what are you doing?’

  Skippy does not reply.

  For a moment there is a cold, stark silence; then, almost as if from a united desire to fill it, the diner explodes in a clamour. Air! is the consensus. Give him air! The door is thrown open and the cold November night rushes greedily in. Ruprecht finds himself standing, looking down at his friend. ‘Breathe!’ he shouts at him, gesticulating meaninglessly like an angry teacher. ‘Why won’t you breathe?’ But Skippy just lies there with a reposeful look on his face, placid as can be.

  Around them the air jostles with shouts and suggestions, things people remember from hospital shows on TV. Ruprecht can’t take this. He pushes through the bodies and out the door down to the roadside. Biting his thumb, he watches the traffic fleet by in dark, impersonal blurs, refusing to disclose an ambulance.

  When he goes back inside, Zhang Xielin is kneeling, cradling Skippy’s head on his lap. Doughnuts scatter the ground like little candied wreaths. In the silence, people peek at Ruprecht with moist, pitying eyes. Ruprecht glares back at them murderously. He is fizzing, he is quaking, he is incandescent with rage. He feels like stomping back to his room and leaving Skippy where he is. He feels like screaming out, ‘What? What? What? What?’ He goes back outside to look into the traffic, he is crying, and in that moment he feels all the hundreds and thousands of facts in his head turn to sludge.

  Through the laurel trees, in an upper corner of Seabrook Tower, you can just make out the window of their dorm, where not half an hour ago Skippy challenged Ruprecht to the race. Above the lot, the great pink hoop of the Ed’s Doughnut House sign broadcasts its frigid synthetic light into the night, a neon zero that outshines the moon and all the constellations of infinite space beyond it. Ruprecht is not looking in that direction. The universe at this moment appears to him as something horrific, thin and threadbare and empty; it seems to know this, and in shame to turn away.

  I

  Hopeland

  These daydreams persisted like an alternate life . . .

  Robert Graves

  In winter months, from his seat in the middle desk of the middle row, Howard used to look out the window of the History Room and watch the whole school go up in flames. The rugby pitches, the basketball court, the car park and the trees beyond – for one beautiful instant everything would be engulfed; and though the spell was quickly broken – the light deepening and reddening and flattening out, leaving the school and its environs intact – you would know at least that the day was almost over.

  Today he stands at the head of the class: the wrong angle and the wrong time of year to view the sunset. He knows, however, that fifteen minutes remain on the clock, and so, pinching his nose, sighing imperceptibly, he tries again. ‘Come on, now. The main protagonists. Just the main ones. Anybody?’

  The torpid silence remains undisturbed. The radiators are blazing, though it is not particularly cold outside: the heating system is elderly and erratic, like most things at this end of the school, and over the course of the day the heat builds to a swampy, malarial fug. Howard complains, of course, like the other teachers, but he is secretly not ungrateful; combined with the powerful soporific effects of history itself, it means the disorder levels of his later classes rarely extend beyond a low drone of chatter and the occasional paper aeroplane.

  ‘Anyone?’ he repeats, looking over the class, deliberately ignoring Ruprecht Van Doren’s upstretched hand, beneath which the rest of Ruprecht strains breathlessly. The rest of the boys blink back at Howard as if to reproach him for disturbing their peace. In Howard’s old seat, Daniel ‘Skippy’ Juster stares catatonically into space, for all the world as if he’s been drugged; in the back-row suntrap, Henry Lafayette has made a little nest of his arms in which to lay his head. Even the clock sounds like it’s half asleep.

  ‘We’ve been talking about this for the last two days. Are you telling me no one can name a single one of the countries involved? Come on, you’re not getting out of here till you’ve shown me that you know this.’

  ‘Uruguay?’ Bob Shambles incants vaguely, as if summoning the answer from magical vapours.

  ‘No,’ Howard says, glancing down at the book spread open on his lectern just to make sure. ‘Known at the time as “the war to end all wars”,’ the caption reads, below a picture of a vast, waterlogged moonscape from which all signs of life, natural or man-made, have been comprehensively removed.

  ‘The Jews?’ Ultan O’Dowd says.

  ‘The Jews are not a country. Mario?’

  ‘What?’ Mario Bianchi’s head snaps up from whatever he is attending to, probably his phone, under the desk. ‘Oh, it was . . . it was – ow, stop – sir, Dennis is feeling my leg! Stop feeling me, feeler!’

  ‘Stop feeling his leg, Dennis.’

  ‘I wasn’t, sir!’ Dennis Hoey, all wounded innocence.

  On the blackboard, ‘MAIN’ – Militarism, Alliances, Industrialization, Nationalism – copied out of the textbook at the start of class, is slowly bleached out by the lowering sun. ‘Yes, Mario?’

  ‘Uh . . .’ Mario prevaricates. ‘Well, Italy . . .’

  ‘Italy was in charge of the catering,’ Niall Henaghan suggests.

  ‘Hey,’ Mario warns.

  ‘Sir, Mario calls his wang Il Duce,’ says Dennis.

  ‘Sir!’

  ‘Dennis.’

  ‘But he does – you do, I’ve heard you. “Time to rise, Duce,” you say. “Your people await you, Duce.”’

  ‘At least I have a wang, and am not a boy with . . . Instead of a wang, he has just a blank piece of . . .’

  ‘I feel we’re straying off the point here,’ Howard intervenes. ‘Come on, guys. The protagonists of the First World War. I’ll give you a clue. Germany. Germany was involved. Who were Germany’s allies – yes, Henry?’ as Henry Lafayette, whatever he is dreaming of, emits a loud snort. Hearing his name, he raises his head and gazes at Howard with dizzy, bewildered eyes.

  ‘Elves?’ he ventures.

/>   The classroom explodes into hysterics.

  ‘Well, what was the question?’ Henry asks, somewhat woundedly.

  Howard is on the brink of accepting defeat and beginning the class all over again. A glance at the clock, however, absolves him from any further effort today, so instead he directs them back to the textbook, and has Geoff Sproke read out the poem reproduced there.

  ‘“In Flanders Fields”,’ Geoff obliges. ‘By Lieutenant John McCrae.’

  ‘John McGay,’ glosses John Reidy.

  ‘That’s enough.’

  ‘“In Flanders fields,”’ Geoff reads, ‘“the poppies blow”:

  ‘Between the crosses, row on row,

  That mark our place; and in the sky

  The larks, still bravely singing, fly

  Scarce heard amid the guns below.

  We are the Dead. Short days ago

  We lived –’

  At this point the bell rings. In a single motion the daydreaming and somnolent snap awake, grab their bags, stow their books and move as one for the door. ‘For tomorrow, read the end of the chapter,’ Howard calls over the melee. ‘And while you’re at it, read the stuff you were supposed to read for today.’ But the class has already fizzed away, and Howard is left as he always is, wondering if anyone has been listening to a single thing he’s said; he can practically see his words crumpled up on the floor. He packs away his own book, wipes clean the board and sets off to fight his way through the home-time throng to the staffroom.

  In Our Lady’s Hall, hormonal surges have made giants and midgets of the crowd. The tang of adolescence, impervious to deodorant or opened windows, hangs heavy, and the air tintinnabulates with bleeps, chimes and trebly shards of music as two hundred mobile phones, banned during the school day, are switched back on with the urgency of divers reconnecting to their oxygen supply. From her alcove a safe elevation above it, the plaster Madonna with the starred halo and the peaches-and-cream complexion pouts coquettishly at the rampaging maleness below.